Two aggressive art pieces sexualizing Jesus' Last Supper were displayed earlier this year: Among the 74 plaster models shown in Gateshead, England, in January by British artist Terence Koh was one of Jesus and several disciples sporting generous erections. And in March, a retrospective of Austrian Alfred Hrdlicka went on display in the Cathedral Museum in Vienna, with the blessing of the archbishop of Vienna, even though it included a pAin'ting of the Last Supper as a "homosexual orgy," in Hrdlicka's description (because, he said, there were no women in the original Da Vinci pAin'ting that inspired it). (That piece was removed during the first week, after complAin'ts.)











